位于太平洋之畔的日本,拥有无数的摩天大楼、人潮汹涌的都市以及精致的美食,吸引了无数的游客。然而,本片却主要介绍了日本更不为人知,也更壮丽的美景,那就是日本列岛的山区。在日本的文化里,大山是神的领地,是神圣的地方,而凡人只是普通的访客。本片通过采访几位不同身份职业的大山常住客,揭示了群山在日本社会中所扮演的角色。虽然近几十年来,出于经济的需求,日本对山区进行了开发,兴建了许多滑雪场,引来了国内外众多游客。但对于日本人而言,大山依旧是其精神的寄托,依旧具有非常重要的地位。
Wojciech Smarzowski is one of those Polish directors who’s popular both among the critics and with the audience, even though his films are far from being considered crowd-pleasers. In his upcoming project Good House, Smarzowski, who also penned the script, will focus on domestic violence, although nothing more has been shared about the story.
After their father's death two sisters reunite at their childhood home to uncover forgotten secrets and rip open old wounds.
因父亲挑起新旧敌对帮派的激烈地盘斗争,身为儿子的他则试图掌控腥风血雨的台湾黑社会,在兄弟情与自身处境的夹缝中被迫前进。外部敌对势力步步进逼,内部也因误会与压力而开始产生裂缝,使得情义不再是理所当然的依靠……
出狱后的艾娃试图重新开始,却被哥哥卷回毒品交易。警方设局致哥哥身亡,她再度逃亡。好友遇害、父亲背叛、亲情撕裂下,艾娃铤而走险,与毒枭交易并清除叛徒,最终再次入狱。